Via the BBC America Tumblr (that’s still a thing, right?).
In the proud tradition of internet nerds ceaselessly over-observing promotional pictures for advanced clues about their favourite IP’s latest iterations, I think that I’ve managed to pick up a few, very distinct clues about Jenna-Louise Coleman’s character in the next series of “Who”.
1) She’s an emissary from a mysterious alien race of super-powerful beings who convey their thoughts and feelings via the medium of fine knitwear.
2) I’m out.
I still like the idea that Moffat intends to pull a bait-and-switch on us and we might end up with the perky Coleman playing an alien and being buried under layers of prosthetics – part of me finds this notion glorious and the rest of me has figured out that there’s no way in Hades that the BBC would allow this to happen.
Awards and award ceremonies ultimately don’t mean anything – when was the last time that you bought an album because it won a Brit Award or Grammy? And have the Academy Awards made you rush out to see a film lately? Probably not.
With that in mind, it was refreshing today to come across this story with former Guns N’ Roses/Velvet Revolver axe lord Slash ruminating on what his former band’s induction into the Rock and Roll Hall of Fame means to him.
Speaking as somebody whose musical taste skews inexorably towards the loud, the hairy and the be-Marshall Stacked, I too find it bewildering that Deep Purple and Rush haven’t yet been venerated for their role in forging the kinds of sounds that later bands (and 2012 inductees) like G’N’R and the Red Hot Chilli Peppers have drawn from and iterated upon. If you’re going to laud the influenced before you show props to the originators, then where’s the logic in that?
Of course, that would mean going back to the pioneering Blues and R&B artists whose early work gave white suburban rockers a jumping-on point and giving them their due. Which is, of course, something that the American and British recording industries have never wanted to do as it would lead to awkward questions about how, at best, these artists endured decades of shabby treatment and, at worst, were outright ripped-off by the largely white, largely middle-class and morally questionable recording industry establishment.
It’s difficult not to wonder about how much the implosion of G’N’R and its gradual metamorphosis into Axl Rose’s touring band may have soured Slash on the idea of the band being awarded this industry honour – the Guns ‘N’ Roses operating currently doesn’t really resemble the classic line-up and it’s not too much of a stretch to imagine Axl pulling some kind of diva stunt to generate press inches before the ceremony proper on Saturday April 14th…
Katie Cookie‘s “Feline Avengers” art via SuperPunch. And you can buy her stuff here.
Cat-based Hawkeye is boss.