Well, it’s one way to wrong-foot the audience…
OMG – SPOILERZ!
There’s a new “Skyfall” trailer, everyone – go lookit!
Not really – the bait-and-switch gambit of apparently sending James Bond to sleep with the fish community in the new trailer for “Skyfall” is quickly undone when it becomes clear that Bond’s mission this time around is to sleep with
French starlets and destroy foreign locales recover an in-the-wild secret hard drive containing the details of every MI6 agent before it goes to the highest bidder.
New Bond girl, Berenice Marlohe, not long for this world if the on-screen fate of previous Bond girls is any indicator…
Where the previous teaser trailers, IMAX pimping and Olympic-piggybacking tv spots have played up the psychological drama aspect of the new, Sam Mendes directed Bond as if to indicate that this won’t be a glum shoot-em-up like the previous, unloved (but actually not that bad) “Quantum of Solace“, this trailer gets down to business by including some pretty major action and one classic prop with a biometric twist.
A tech guy who’s wearing a nerdy parka? The invention of these film makers! Where do they get their crazy ideas?!
New Q, Ben Whishaw shows up and we get our best look yet at the horror which is big bad Javier Bardem‘s blonde hairstyle. I’m assuming that the sketchiness therein indicates that it forms some kind of secret weapon, perhaps for employment during the grand finale (perhaps it assumes some kind of sentient life and goes in for the kill when his owner is dispatched?).
The reassuring sight of James Bond effing up a vehicle and still finding time to sort his cuffs out. And all’s well with England anew…
“Skyfall” opens in the UK in October and the US in November.
Remember Christophe Gans‘ adaptation of Konami’s survival horror game, “Silent Hill“? It was – by crikey! – a half-decent video game movie which captured much of the atmosphere of the series and was mostly successful as a movie.
In news that will surprise nobody, this Halloween sees a sequel, “Silent Hill: Revelation“, which promises more murderous faceless nurses, pyramid head psychos, omnipresent urban decay and solid character actors (Alice Krige, Deborah Kara Unger, Kim Coates) doing their best ‘creepy grown-up’ acting whilst rounding on Aussie actress Adelaide Clemens (who’s the spitting image of Michelle Williams).
Yep, that Michelle Williams cloning process is coming along nicely…
The movie’s out on October 26th in the US and in perfect time for Halloween in the UK. I’m going to be seeing this at some point, as British director Michael J Bassett has previously brought us the very fine likes of “Deathwatch” and “Solomon Kane”, fun genre pictures which are twenty times more enjoyable than the last few Michael Bay movies. Mind you, so is an ingrowing toenail, so that’s not exactly a recommendation.
Still, it all looks creepy, desperately wrong and is in the new-fangled three dimensions that all the kids are enjoying, so they have my five pounds for a matinée screening.
I’m such a cheap date…
Oh, this isn’t going to end well…
Pussy Riot – Russian Art Punk Superheroines.
Clearly, I’ve not kept abreast of world news – if I had, the treatment of Russian art-punk collective Pussy Riot by Darth Putin would have moved me to write this post previously. Your usually scheduled daily helping of power metal, Christopher Nolan worship and complaints about video game storytelling will be along anon.
Anyone reading the Guardian‘s story on the issue – feminist art punk band play impromptu performance in Moscow’s Cathedral of Christ The Saviour and things go south rapidly – with a long enough memory may recall the Riot Grrl movement of the early nineties, where similarly politicised indie kids used all kinds of situationist techniques to underscore their musical rage but didn’t face the prospect of seven years in jail, as far as I recall.
How things change. Or don’t.
I don’t suppose I should feel any surprise that Vladimir Putin‘s zero tolerance response to criticism of his
dictatorship presidency is to round-up the geeky art students responsible and sling them in the clink, but the brazenness of his actions is sufficient to raise an eyebrow in the West, where our freedom to yell slogans and strum two chords is mostly protected and unlikely to get us into any serious trouble with the law.
Seriously? A trial with a potential jail sentence of seven years for playing a few songs in a church? It’s fair to say that those of us who have reasonable freedom of speech, assembly and dissent in our countries don’t realise just how fortunate we are when we see people protesting on TV and being arrested (or worse) as a matter of course.
I’m going to try to follow this case for future reference – now that the celebrated Twitter Trial in the UK has been sensibly settled in favour of the daft bugger whose off-the-cuff tweet mobilised South Yorkshire police and the head of the DPP against him, it behoves us all to keep an eye on those in power who would seek to use the full weight of the law against any and all criticism of their decisions.
Never trust a politician, kids.
Just when you thought that post-Aurora shooting over-sensitivity couldn’t get any worse, comes the news that Summit, the studio behind the “Step Up” series of sugar-sweet, street dance films were seriously considering delaying this Friday’s release of the fourth instalment, “Step Up: Revolution”.
Yep, that’s what terrorists look like these days – beware the smiling kids in their Hollister garb!
Their reason? A sequence in the flick features dancers wearing gas masks invading a swanky party and threatening guests with gas grenades, per a delightfully hysterical story on Deadline Hollywood today, and the studio met on Wednesday to discuss their options with reference to delaying the release or dropping the scene entirely.
That’s a film opening on Friday this week, remember. Check out the trailer here at YouTube.
Yep, that’s a film bound to strike associative trauma into the hearts of anybody who goes to see it. Or, perhaps, it’s a silly and energetic musical which is the modern-day equivalent of the ‘Let’s Do The Show Right Here!’ feel-good efforts which used to star Mickey Rooney and Judy Garland back in the day. Not a call to arms for anybody other than kids who watch “Glee“ or want to try out for their local amateur dramatic society.
Are we going to be banning hip-hop inspired street dance in public, now, lest rogue mobs of popping-and-locking teens terrify soccer moms into discharging their concealed Glocks into all and sundry, or should we get some frigging clue about what the real problem actually is?
Or would that just be unconscionably eccentric?
In a reaction to Friday’s tragic events at a midnight screening of “The Dark Knight Rises“ in Aurora, Colorado, word has it that Warner Brothers will be postponing the September 2012 release of their 40s and 50s set crime drama, “Gangster Squad” to January 2013. Anybody who’s seen the Jay-Z scored trailer for the film may remember the bit where a cinema audience is gunned down by merciless criminals and realise quickly that this sequence now has as much chance of remaining in the movie as a scene in “The Expendables 2” where everybody sits around and discusses their feelings.
Whilst I understand the reticence to include any scene which reminds a potential audience of the shooting deaths in Colorado, it occurs to me that this delay is due less to any sudden attack of conscience than a desire to maximise the box office potential of the film by excising any particularly troublesome elements lest they be ceased upon by a media eager to jump on any potential controversy and run it into the ground.
Going back to the trailer – linked here (it features the scene now being excised from the film, so approach with caution if you’re sensitive to this kind of imagery) – it’s hard to see how taking one arguably contentious scene will do much to alter the tone of the film, which seems to revolve largely around sexy guys in stylish period attire punching, shooting and shagging their way across a lawless 40s Los Angeles. Taking out one scene which has unfortunate echoes in real-life events hardly changes the fact that much of their trailer promises the likes of It Boy Ryan Gosling shooting slightly less handsome people in the face in the name of ne0-frontier justice, after all.
I confess, I find Warner Brothers’ knee-jerk desire to pull scenes from their film to be entirely disingenuous and quite insulting – they greenlit this film, after all, and let director Ruben “Zombieland” Fleischer do his thing. Did they somehow not read the script? Are they suddenly surprised to have a film on their hands which has Ryan Gosling and Josh Brolin‘s heroic off-the-books cops brutally murdering gangsters? This is, I take it, the same Warner Brothers who built much of their early success on gangster flicks and lurid crime dramas?
In the end, it’s all about cash, not caring about the sensibilities of victims of atrocity. Controversy sometimes equals full tills, but just as often induces people to avoid your product because it offends some weird moral sensibility which gets uptight about violence in films but sees no problem at all in having a gun (or two) in the house. As ever we see that popular culture is the real villain in cases like this, not the ease of purchasing high-powered firearms and ammunition for any sociopathic nut-job with a psychotic manifesto and a nihilistic worldview.