It’s a Thursday, there’s precious little on TV – why not take in the latest trailer for “Star Trek Into Darkness”?
This would be the “Empire Strikes Back” of the reborn “Star Trek” movie franchise, then? I’m guessing so, what with the doomy tone, Benedict Cumberbatch‘s messianic sociopath running amok and blowing up half of the planet and the gloriously blatant shuttle craft/Millennium Falcon riff showing up in this two minutes and 15 seconds of face-melting, nerd glee.
Oh, and if you’re into that kind of thing, Alice Eve‘s character apparently can’t afford clothes. Hollywood double standards, how do they work?
Have a new poster for the movie whilst you work that one out…
“Star Trek Into Darkness” – none more dark, squire…
Filed under Films, Geekery
Lovely “Star Trek Into Darkness” images (c) Paramount Pictures
There’s a new trailer for J.J. Abrams‘ second “Star Trek” adventure, “Into Darkness”, which is technically the first proper look at the film – last week saw a teaser trailer and a nine-minute prologue which unfurled ahead of selected IMAX screenings of “The Hobbit“.
But, as I was denied such bounty by the uncaring folk at my local cinema, let us not focus on what we don’t have and instead turn our attention to what we do get.
Yep, no portents of angst or doom in that image…
Which is Bruce Greenwood‘s glum voice over suggesting there may be trouble ahead for Kirk & Co., huge action sequences, portents of dread and lots of furrowed brows on display. Watching it, there’s a palpable sense that there’s a big elephant in the room with this “Star Trek” sequel – is it following the path laid down by “Star Trek II: The Wrath of Khan” and upping the emotional stakes big time (i.e. killing off major characters) or is the speculation about the identity of the villain merely misdirection of the kind so beloved of and oft-practiced by major magic geek Abrams?
The trailer indicates that nobody’s safe in this movie – Chekov‘s even sporting a Red Shirt at one point, for pity’s sake! – and I’m all for that if this eagerly anticipated follow-up has the courage to deliver on all that Debbie Downer potential. This is, after all, a summer movie – not a genre known for wallowing in melancholy and bad vibes, man.
You can be in danger – but nobody’s allowed to get hurt. Or are they?