Remember how I told you that I was reading the Motley Crue autobiography (as dictated to a no doubt increasingly bemused and horrified Neil Strauss), “The Dirt”? Yep, it’s every bit as eye-rolling, mind-boggling and stomach-churning as I predicted it would be. And, of course, it’s utterly compelling reading from first page to last. Funny how that happens.
I don’t know that it has given me any more appreciation for the Crue (Especially when Nikki Sixx essentially admits that a number of albums were so compromised by the band’s various addictions that they were basically ‘phoned-in’ efforts) but it does make me boggle that Amy Winehouse can depart the planet at such a young age when these guys are still merrily touring away despite having ingested enough chemicals and adult beverages to convincingly fell a herd of elephants.
All of which preamble, whilst delightful, buffers us from the purpose of this news post – Dutch symphonic metallurgists, Epica, have gone into the studio in Germany to record their next long-player, as reported today on the Roadrunner Records-affiliated Blabbermouth blog.
If you’re into the likes of Within Temptation and Delain, you’ll possibly have given Epica’s symphonic metal a listen. If this is your first encounter with the band, why not give “Never Enough” a try. Go on, I’ll wait.
If you waited thirty seconds before coughing “Evanescence”, then you’re a better person than I. Whilst you’ve got to wonder if Within Temptation, Leave’s Eyes and Epica would have careers without Amy Lee and co blowing up the spot with “Bring Me To Life”, there’s something distinctly European and pleasingly eccentric/old-fashioned about these bands and their slightly overwrought take on rocking your socks off.
It’s a bizarre thing, really. Who would have thought that record companies, in their infinite wisdom, would collectively reach the belief that what rock fans REALLY want is a less threatening Papa Roach fronted by Sarah McLachlan? Funny old world.