Tag Archives: Simon Pegg

Cumberbatched Into Darkness

It’s a Thursday, there’s precious little on TV – why not take in the latest trailer for “Star Trek Into Darkness”?

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This would be the “Empire Strikes Back” of the reborn “Star Trek” movie franchise, then?  I’m guessing so, what with the doomy tone, Benedict Cumberbatch‘s messianic sociopath running amok and blowing up half of the planet and the gloriously blatant shuttle craft/Millennium Falcon riff showing up in this two minutes and 15 seconds of face-melting, nerd glee.

Oh, and if you’re into that kind of thing, Alice Eve‘s character apparently can’t afford clothes.  Hollywood double standards, how do they work?

Have a new poster for the movie whilst you work that one out…

"Star Trek Into Darkness" - none more dark, squire...

“Star Trek Into Darkness” – none more dark, squire…

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“Star Trek Into Darkness” teaser is…awesome?

Oh hai there, “Into Darkness” bad person, Benedict Cumberbatch! Trailer images (C) Paramount Pictures/Bad Robot

If you haven’t spent your day constantly re-watching the “Into Darkness” teaser trailer on your PC at work, there’s a good chance that you A) Don’t have to use a PC for your work or B) Are Fluffrick and are sadly compelled to rock an office PC so antediluvian that it might as well be considered a Steampunk artefact.

If, like this blogger, you had to wait until home time to catch the new J.J. AbramsStar Trek movie’s teaser trailer, no doubt you’re trying to form words and phrases which can fully encompass the splendiferousness with which your gentle eyeballs have been subject to.

From the look on Chris Pine's face, Cumberbatch isn't playing "Twister".

From the look on Chris Pine and Zoe Saldana’s faces, Cumberbatch isn’t playing “Twister”.  Unless it’s Deadly 23rd Century Death-Trap Twister, of course.

The best that I can come up with is a onamatapeaic noise which sounds like a small child gargling jelly compulsively.  All teaser trailers are meant to pimp the biggest, boldest moments of any blockbuster, but this first look is impressive as much for lead bad guy Benedict Cumberbatch’s superbly gravelly, unrelenting grim voice-over which offers a tantalising suggestion that the shiny-happy territory of the rebooted 2009 film is being jettisoned in favour of Wrath of Khan-style, “I can’t believe they did that! character offing and high stakes scares.  In fact, if you’ve watched the slightly longer, Japanese teaser trailer for the film, the “Wrath of Khan” comparison seems more than justified…

Fringe versus Fringe - who will triumph?

Fringe versus Fringe – who will triumph?

 

Go and press your  face against the screen HERE if you haven’t seen the trailer.  And then watch it 25 times.  You know you want to…

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“Star Trek Into Darkness” gets a new poster

Ominous, much?

Ominous, much?  Image via Paramount Pictures

As we wait for either the nine-minute IMAX prologue playing before selected screenings of The Hobbit: An Unexpected Journey“, the astute folk at Paramount have elected to steal a march on the marketing for next summer’s “Star Trek” sequel by releasing every geek-centric blockbuster’s must-have item, the enigmatic teaser poster.

Putting on my modish great-coat and a fashionably directional long scarf in the manner of all the best consulting detectives, I note that the poster seems to feature putative “Star Trek Into Darkness” villain, Benedict Cumberbatch, who is of course playing classic “Trek” baddie Gary Mitchell/Khan/Keyser Soze (delete as likely) in the J.J. Abrams directed sequel.

And that scene of urban mass destruction, the hallmark of all contemporary bad guys who seek to threaten our very way of life via the medium of terrorist action – could it be London?  As Empire magazine‘s post on the teaser poster intimated, the background scenery seems to have the ‘Gherkin’ building prominently featured.

England’s capital?  Being destroyed in a summer blockbuster?  Such a thing has never happened before…

A trailer for this must-see geek fest is due before the end of 2012 – I don’t know about you, but I already have my popcorn ready for that one…

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Edgar Wright’s “The World’s End” to shoot in September?

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Per Deadline’s story, Edgar Wright, Simon Pegg and Nick Frost will reunite for the third in the loose trilogy which began with Shaun of the Dead and continued with Hot Fuzz, with shooting expected to start in September and a Spring 2013 release pencilled in.

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What this means for the heavily rumoured, Wright-helmed Ant Man movie is anybody’s guess – will we get a Guardians of the Galaxy” (that’s them pictured above) movie instead in 2014 or the equally long talked-up Doctor Strange film to bolster the cosmic side of the Marvel movie universe?

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Wright and Pegg at “The World’s End”

After a crappy day at work, believe me when I say that this picture makes things quite a bit better:

How's that for a bit of Fried Gold?

The mere prospect of Edgar Wright, Simon Pegg and (let us hope) Nick Frost working on the final part of their “Three Cornettos” trilogy makes me very happy.  Why not read Slashfilm’s take on things?

I met Simon Pegg once, at a signing for his autobiography/memoir/deranged ravings of a bearded genius, “Nerd Do Well”.  He was as splendid a chap as you could have hoped for and was very nice about my Scott Pilgrim shirt.  Isn’t it cool when the people that you admire turn out to be thoroughly decent?

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Cultural Activities, for the week beginning 08/08/2011

In which many European rockers get conceptual up in this joint.

Another week, another programme of splendid cultural activities to behold.

Kicking off, we have Avantasia’s first album, “The Metal Opera” – a barmy, preposterous and utterly fantastic collection of power metal/hard rock tunes based around the tale of an accused witch (Within Temptation’s Sharon Den Adel voices this role) and her brother’s (Edguy singer and Avantasia leading light Tobias Sammet) fight to save her from the tyranny of the medieval church.

Despite that, we’re talking eminently hummable tunes, Sammet’s gift for story-telling in his lyrics and all manner of retro goodness. Think ‘early Queen in a ruck with Iron Maiden and Justin Hawkins’ German cousin on vocals’ and you get a sense of the delirious joy that Avantasia’s first album offers.

Have a listen to “Reach Out For The Light” and see what you think:

Ben Affleck knocks another one out of the park...

Ben Affleck’s second film as a director cleaves a bit closer to the star vehicle ideal than his first, the excellent “Gone Baby Gone”, but shares a Boston setting, emphasis on character and a gift for staging percussive, tense set-pieces. It’s a case where I prefer the director’s cut to the theatrical version, even if that longer version does feature a Buckcherry song (no offence, fellas – it fits the scene perfectly).

I’m definitely looking forward to seeing Affleck’s next directorial effort, “Argo”, and I’m fairly excited to see what he could do with the proposed American remake of Harlan Coben’s novel, “Tell No One”, itself memorably adapted by French actor/director Guillame Canet.

Also on my cinematic, ‘to view’ list – John Landis’ 2010 re-telling of “Burke and Hare”, Edinburgh’s most enterprising 19th century purveyors of cadavers to the discerning and morally bankrupt.

I have a man-crush on Simon Pegg. No harm in admitting that on the Internets, surely?

It had, shall we say, ‘varied’ reviews online, but as I tend to view the Metacritic-type review aggregation sites as being an utter waste of time, that doesn’t really bother me. Pegg is ace, Serkis is a man-god and Isla Fisher is cuteness personified (So much so as to make Amy Adams look like Glenn Danzig, frankly).

Finally, for this week – as Mrs Fluffrick is on a major Harry Potter kick at the minute, she has directed that we will be watching “Harry Potter and The Half-Blood Price” tonight, as soon as I switch off this very computer.

Wish me luck – it’s known in my house as “The One That Fluffrick Fell Asleep Watching”.

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