Tag Archives: Thor

Putting the Hammer down

A hairy man sorts out his foes...

A hairy man sorts out his foes…

Screencaps? Faffing about with my video software?  Must be summer movie trailer time.

Behold!  It’s “Thor: The Dark World”, with a teaser glimpse for your perusal and edification!

I've heard of protecting Alt Kids from society's abuses, but this is ridonkulous..

Loki is Emo – confirmed…

Expect to see his Norse Godliness in modern-day London, hints at a romantic triangle, lots of action and a last-minute cameo appearance by Loki-chops, with Tom Hiddleston apparently channelling Dani Filth from CoF for reasons best known to the costume department.  Me likey.

“Thor: The Dark World” opens in good, bad and indifferent cinemas on October 30th in the UK and on November 8th in the US.

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Very Metal “Thor The Dark World” teaser poster drops

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So, when did Thor join Sabaton?  Just wondering.

The second cinematic adventure for the exquisitely coiffured son of Odin will be with us in November, and to whet your proverbial whistle for Tuesday’s teaser trailer, here’s a Marvel-supplied poster of the Norse God bringing his own, oddly-accented brand of thunder and bad assery.

As the first “Thor” outing was probably my favourite of the stand-alone “Phase One” series of Marvel films, I’m truly on board for what the House of Ideas’ cinematic brains trust delivers with this movie, even if I’m going to miss original director Kenneth Branagh’s love of a ‘Dutch’ angle.

Still, most of the other principals are back, Christopher Eccleston is bringing his own brand of Mancunian melancholy to the villain role and it’s being helmed by a regular “Game of Thrones” director (I suspect that there’s rather less scope here, however,  for non-stop pillaging, politicking and the other less salubrious fantasy stuff for which that HBO show is becoming increasingly famed…).

I expect good things…

 

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“Avengers” pixel-semble!

8-Bit nerdery genius Via XStitchMyHeart and The Mary Sue

Avengers-inspired craft geek goodness so awesome that it nearly kicked the butt of Sunday’s “Iron Man 3” SuperBowl trailer.  The creativity and wit of the greater internet nerd community never fails to amaze, does it?

There’s yet more – 8-bit sprite Harry Potter cast for the win, peeps!- at Cross Stitch My Heart’s Etsy shop.

 

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02/05/2013 · 6:54 pm

George R R Martin reviews “The Avengers”

A quickie – I thought that you might find George R R Martin’s thoughts on “The Avengers” worth reading.

He’s clearly a comics fan with some knowledge of the team and its historical dynamics, so his criticisms (when they come) are quite fair and balanced.

Fair and balanced criticism on the internet?  How does that work again?

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Black Venus

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Via SoGeekChic.

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“Avengers” Super Bowl teaser – assembled.

Hyped yet? Me, too.

It turns out that sport is good for something after all – who knew?

This Sunday’s Super Bowl featured many well-paid, overly padded men hitting one another (one word, boys – ‘rugby’) and much fuss and consternation about professional controversalist MIA shocking America by flipping the bird during Madonna’s half-time show (did anybody honestly not expect her to try to be the centre of attention?).

Yet the most interesting things to me about the Super Bowl are the absurdly expensive and deliberately positioned teaser trailers for summer blockbusters – this year saw 30 second spots advertising Disney’s “John Carter”, Universal’s “Battleship” and Relativity‘s awful looking actioner, “Act of Valor”, whose sole selling point appears to be that it stars real Navy SEAL members.   Yep, that’s one film which will definitely do well outside the US.

The fraught task of single-handedly erasing the bad after-taste of the latter trailer, then, fell to Marvel’s “The Avengers”.

Imagine if Richard Branson had one of these suits - we'd never see the end of it.

It was, quite predictably, a riot of colour, crashes, bangs and mayhem – a paroxysm of superheroic shenanigans and one-liners (“We have a Hulk”), cities in fire and iconic Avengers united on-screen for the first time.

Now, this is how you do patriotic action...

I can understand that a lot of fans of Thor, Captain America and Iron Man have felt that their individual movies didn’t serve their characters well and acted as feature-length trailers for a team-up project which didn’t have the same value for them as a solo outing for Tony Stark or Steve Rogers would have done.   I can appreciate that this would be irksome but the seven-year old nerd in me looks at this trailer and can’t wait for the end of April to roll around (May 4th in the US per this trailer).

Joss Whedon? Likes his hero shots? Surely some mistake?

 

 

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The 2011 Minnie Movie Awards

Inspired by Geek Soul Brother’s splendid Mulder awards, and because Gold Globes and Naked Fellows are so last century, I take no small delight in presenting the inaugural Fluffrick 2011 Minnie Awards – the virtual awards ceremony which celebrates great nerdy things and the sleepy terriers who tolerate them (as long as they’re not too loud).

 

The Filmic Pup Who Know's What's Up - Minnie

 

Without further ado, the Minnie for Best Science Fiction Film of 2011 goes to…

Any film which gets me out of the house and headed towards a multiplex cinema nowadays is deserving of some kind of award.  Any film which has me thinking about its implications long after leaving the cinema is clearly doing something right.   Any film that has you scouring IMDB and the trades to see what all concerned are doing next is one that’s more than worth a view if you haven’t seen it already.

Runners up in this category were:

Coping with the twin demands of launching a franchise and establishing more continuity for this summer’s “Avengers” extravaganza, Kenneth Branagh had more than enough on his plate with “Thor”.  That he delivered an entertaining movie which delivered laughs, action and some quite excellent performances (Idris Elba – represent!) indicates that Branagh is a film maker to call if you want your widescreen spectacle balanced with character comedy.

and

Yes, the latest Paul Anderson movie is the polar opposite of the movie at number one.  It’s dumb, noisy and historically so bizarre as to constitute some kind of public call for better teaching of the subject in our schools.  All those issues aside, this latest adaptation of “The Three Musketeers” was quasi-Steampunk mentalism of the highest order.  Worth it just for Orlando Bloom channelling Adam Ant and confirming that sneering villainy is something that he’s really rather suited for.

Every great (or middling) film must be counterbalanced by one which isn’t so enduring.  A film which saddens and irritates in equal measure.  To wit, the next award is the Most Disappointing Movie of 2011.

As the second movie was a shrill, misogynistic, racist and overwhelmingly brain-dead effort, this third sequel didn’t have a lot to live up to.  Being in focus and not giving you a migraine might have been considered a major result,  but this film managed to make massive destruction, rocking-socking robots and jaw-loosening spectacle somehow unforgivably dull:   If a skyscraper falls in Chicago, and you’re busy checking your smartphone because the stuff on-screen is so overblown that you don’t care if anybody lives or dies, does anyone hear it?

Perhaps we were spoiled in 2010 by Christopher Nolan’s “Inception”, which balanced the demands of action cinema and arthouse style and showed us that mainstream summer movies can be pump up the adrenaline and intellect alike?  Perhaps the impressive 3D tech could have been used for a purpose other than ogling Rosie Huntington-Whiteley’s admittedly compelling posterior? Perhaps we realised, at long last, that Shia LaBeouf really isn’t much of a star and why were we watching him again?

For whatever reason, the third “Transformers” movie arrived in the summer, did the predicted, gang-busting business worldwide and barely troubled the memory for longer than it took to say “Was Alan Tudyk really in this film?”  Some more questions. Why did they end up in Chicago?  Who was double-crossing whom?  Did Huntington-Whiteley really outwit a robot by appealing to its mechanoid vanity?  Is it possible to make a movie which mostly erases itself from your memory almost immediately after viewing it?  Because I believe that this franchise may well have pulled it off.

Runners up?

Ah, DC’s much-vaunted “Green Lantern”.  With a galaxy-spanning police force composed of imaginative alien creatures, gigantic cosmic phenomena/villains and decades of comics continuity to draw from, how did this film’s creative talents decide that what we really wanted to see was a piss-taking Ryan Reynolds leering at anodyne anon-o-blonde Blake Lively and a resolutely Earth-bound story.  Such a missed opportunity.  There’s talk of a sequel, but unless it’s a ground-up reinvention, does anybody really want to see it other than DC Entertainment’s accountants?

and

“Season of the Witch” wasn’t scary enough for horror fans, wasted Ron Perlman and Robert Sheehan in nothing roles and was so tired, predictable and half-hearted that I expected it to peter out rather than actually finish.  I know that we’ve come to expect comparatively little of Nicolas Cage in films these days, but “Season of the Witch” so completely drops the ball and wimps out in its final act (Hey! All the stupid, evil creatures are actually real and it’s not just man’s inhumanity and irrationality which is causing all the horrible stuff to happen to people!) that it becomes an ordeal to watch.

For shame, Dominic Sena, for shame!

A final Minnie category for now?

Most Disappointing Movie Development of 2011.

Whether you want it or not, whether it works or not, and ensuring that you have to see a movie in the format because there’s never a 2D screening when you want to see it.  The good uses are few and far between and the bad ones are seemingly stinking up a multiplex near you every weekend.

It’s here to stay, because there’s a lot of money invested in it, but it’s not my first choice for entertainment and I doubt that it’s many of yours either.

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